James Ensor
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky. Related Paintings of James Ensor :. | Pride | Self-Portrait with Masks | The Artist-s Studio | Christ Exorcizing the Evil Spirit | The Puzzled Masks | Related Artists: Monsu Bernardo1624 - 1687 Master of the HousebookGerman Northern Renaissance Painter, 15th Century, German graphic artist. The master is named for a series of vigorous and sophisticated drawings of everyday life found in the Hausbuch at Castle Wolfegg. Many of his engravings are in the Rijksmuseum, Amsterdam. His work is thought to have influenced Bosch, Bruegel, and Durer. Jozef Israels(27 January 1824, Groningen - 12 August 1911, Scheveningen) was a Dutch painter, and "the most respected Dutch artist of the second half of the nineteenth century".
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